
Revisiting Alté: Nigeria’s Youth-Driven Rebellion That Became a Global Wave
Welcome to Alté: short for “alternative,” but in practice, a whole lifestyle. Think bold fashion, genre-bending music, and a fearless spirit that says, we’ll do it our way
OPINIONSCULTURE & EVENTS
Paul Fashanu
1/1/20222 min read


Somewhere between the backstreets of Lagos and the feeds of SoundCloud, a new sound—and a new attitude—was born. Welcome to Alté: short for “alternative,” but in practice, a whole lifestyle. Think bold fashion, genre-bending music, and a fearless spirit that says, we’ll do it our way.
What started as a quiet rebellion has grown into one of Nigeria’s most exciting cultural exports. It’s creative. It’s unapologetic. And it’s everywhere now—from global stages to fashion editorials.
Where It All Began
The seeds of Alté were planted in the late 2000s but really took root around 2014, when BOJ of DRB LasGidi dropped “Paper.” In the track, he casually calls himself an “Alté guy”—and just like that, a subculture had a name.
DRB LasGidi—made up of BOJ, TeeZee, and Fresh L—weren’t just making music. They were creating a lane for a new kind of Nigerian artist. Their sound blended everything from Afrobeats and rap to funk, soul, and electro. It was different—and that was the point.
Alté was never about fitting in. It was about standing out.
More Than Music: Alté as a Lifestyle
Alté didn’t stop at sound—it spilled into everything. Clothes. Hair. Visuals. The vibe was retro, artsy, thrift-store chic. It felt global and local at the same time. Think: vintage Nollywood meets Tumblr-era rebellion.
Style curators like Ashley Okoli helped define the look—funky sunglasses, edgy silhouettes, bold colors. Whether it was a grainy music video or an Instagram story, Alté looked like nothing else. And that’s why it stuck.
It became a badge of individuality—a space where young Nigerians could express themselves however they wanted.
From Lagos to the World
Alté might have started in Lagos, but it didn’t take long to travel. Artists like Odunsi (The Engine), Lady Donli, and Amaarae began gaining fans far beyond Africa. Their music spoke to a generation of global listeners looking for something that felt experimental and honest.
With platforms like SoundCloud, YouTube, and social media, these artists didn’t need record label deals or radio play—they just needed Wi-Fi and vision. And they built entire worlds with that.
Alté went global not because it tried to, but because it stayed real.
What’s Next?
Today, Alté is everywhere—from Spotify playlists to Paris Fashion Week. But at its core, it’s still rooted in the same energy: freedom, expression, and doing your own thing.
A new wave of artists, designers, and filmmakers is pushing Alté forward—blending it with Web3, virtual worlds, and even animation. The scene is expanding, but the DNA stays the same: bold, fresh, fearless.
Alté proved that you don’t need to follow the rules to make your mark. Sometimes, you just need to break them—with style.
Stay with HNA Magazine as we continue to spotlight the rebels, visionaries, and sound-shapers driving Africa’s creative future.
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